Difference between revisions of "Naomi Suzuno/Connections"

From Persona MUSH Wiki
Jump to: navigation, search
m
 
(One intermediate revision by one user not shown)
Line 15: Line 15:
 
**[[Mai Namikawa]]: ''"But I have that within which passeth show; these but the trappings and the suits of woe." -- Hamlet; Act I, Scene II''
 
**[[Mai Namikawa]]: ''"But I have that within which passeth show; these but the trappings and the suits of woe." -- Hamlet; Act I, Scene II''
 
***Naomi has demonstrated a proclivity of developing deep bonds with personalities more brusque than hers and Mai is no exception. While clinical and occasionally unforgiving, typically running counter with Naomi's more diplomatic approach, the two girls share a formidable bond by way of love, affection and inclination towards tactical thinking.
 
***Naomi has demonstrated a proclivity of developing deep bonds with personalities more brusque than hers and Mai is no exception. While clinical and occasionally unforgiving, typically running counter with Naomi's more diplomatic approach, the two girls share a formidable bond by way of love, affection and inclination towards tactical thinking.
*'''XIX - The Sun'''
+
*'''XIX - The Sun - <font color="red">RANK 15</font>'''  
 
**[[Tatsuya Suou]]: ''"Be not afraid of greatness: some are born great, some achieve greatness and some have greatness thrust upon them." -- Twelfth Night; Act II, Scene 5''
 
**[[Tatsuya Suou]]: ''"Be not afraid of greatness: some are born great, some achieve greatness and some have greatness thrust upon them." -- Twelfth Night; Act II, Scene 5''
***The story is almost a stereotypical one; a girl from the right side of the tracks meeting a boy from the wrong end of them. Their two-year long "it's complicated" has seen them through a variety of trials and tribulations that have only brought them closer in the face of adversity, whether internal or external. Perhaps it was inevitable, in the end, that they become something more no matter how reluctant they are to acknowledge it, and for many good reasons. It's undeniable that Naomi loves Tatsuya more than words can adequately express - but with recent revelations and the constant ghost of family politics, the decision as to whether she should attempt to do so may be out of her hands.
+
***The story is almost a stereotypical one; a girl from the right side of the tracks meeting a boy from the wrong end of them. Their two-year long "it's complicated" has seen them through a variety of trials and tribulations that have only brought them closer in the face of adversity, whether internal or external. Perhaps it was inevitable, in the end, that they become something more no matter how reluctant they are to acknowledge it, and for many good reasons. It's undeniable that Naomi loves Tatsuya more than words can adequately express, and it was only through the aid of a few good friends that the two of them finally reached an understanding during a trip to London....but it's only bound to get more difficult from there.
 
|}
 
|}
  
Line 57: Line 57:
 
*'''X - The Wheel of Fortune'''
 
*'''X - The Wheel of Fortune'''
 
**[[Sebastien Ardennais]]: ''"Can one desire too much of a good thing?" -- As You Like It, Act IV, Scene 1''
 
**[[Sebastien Ardennais]]: ''"Can one desire too much of a good thing?" -- As You Like It, Act IV, Scene 1''
***''The only son of old family friends, Naomi and Sebastien, before his transplantation to Japan, met once and only once; in a riding academy in France, in which a good-natured attempt to do the young man a favor went awry. Six years later, Naomi finds herself reacquainted with the troublesome youth of her past, whom she regarded in those years as bad luck, though given the terrible similarity of their circumstances, he may also end up becoming the key to executing a grand scheme that may make or break her future forever.''
+
***The only son of old family friends, Naomi and Sebastien, before his transplantation to Japan, met once and only once; in a riding academy in France, in which a good-natured attempt to do the young man a favor went awry. Six years later, Naomi finds herself reacquainted with the troublesome youth of her past, whom she regarded in those years as bad luck, though given the terrible similarity of their circumstances, he may also end up becoming the key to executing a grand scheme that may make or break her future forever.
 
*'''XIII - Death'''
 
*'''XIII - Death'''
 
**[[Seiichi Miyamoto]]: ''"I stand accountant for as great a sin - but partly led to diet my revenge." -- Othello; Act II, Scene 1''
 
**[[Seiichi Miyamoto]]: ''"I stand accountant for as great a sin - but partly led to diet my revenge." -- Othello; Act II, Scene 1''
Line 75: Line 75:
 
***An executive of the Masquerade, he and Naomi have had several encounters in and outside of the office. His connection to Tatsuya is one that constantly worries Naomi, and whenever the two of them are at the same vicinity, she does her best to keep them apart. Much like her views on Kandori, she is sometimes conflicted about King Leo, whose psychotic hatred for Tatsuya typically runs incongruously to his high opinion and gentlemanly treatment of her and his occasional demonstration of being a decent person. Regardless of this, however, she knows he is extremely dangerous.
 
***An executive of the Masquerade, he and Naomi have had several encounters in and outside of the office. His connection to Tatsuya is one that constantly worries Naomi, and whenever the two of them are at the same vicinity, she does her best to keep them apart. Much like her views on Kandori, she is sometimes conflicted about King Leo, whose psychotic hatred for Tatsuya typically runs incongruously to his high opinion and gentlemanly treatment of her and his occasional demonstration of being a decent person. Regardless of this, however, she knows he is extremely dangerous.
 
|}
 
|}
 +
<noinclude>[[Category:Character Subpages]]</noinclude>

Latest revision as of 22:44, 5 October 2012



Personal tools
Namespaces

Variants
Actions
Navigation
Wiki Tools
Toolbox